Tango

The Tango originated in the bordellos of Buenos Aires, Argentina and was formerly known as the Milonga. The Milonga had the characteristic head and shoulder movements that would suddenly switch to stillness. The dance was introduced in Paris, Europe, in the Argentine community. In the beginning of the 20th Century the Milonga was danced in small theatres for the High Society from Brazil. In that period the name was changed from Milonga to Tango, but the Milonga name continued to carry for many the memories of the ghetto’s of Buenos Aires. Until 1907 the Tango was not accepted in London as it was considered too erotic and had many opponents. After some stylistic changes the Tango around 1920 the Tango was standardized at the Conference in London, and during the 1930s the staccato actions merged in to the Tango choreography.

The International and American style Tango is danced in a slightly different manner than other dances in these styles. There is no rise and fall, no body sway, and the hold is very different. The Lady is more to the right and assured somewhat haughty attitude, her arm is placed under the man’s, which creates a tighter hold for a quick staccato action and stylized poses. The feeling of the dance is that of drama and mood. Danced normally to 2/4 timing the Tango is progressive, moving along the line of dance with slightly flexed knees using body movement resembling somewhat the walk of a cat or tiger. The Tango is characterized by stunning, sharp head-turns and provocative figures in combination with staccato foot movements. In some figures a certain Spanish arrogance is often used to highlight the dramatic style of the Tango.

The Milonga is still danced today and is referred to as Argentine Tango in the world of Ballroom dancing. The Argentine Tango is considered a style of its own and is normally not seen in major Ballroom events and competitions.